the boogie man will get you in the shadows of doubt song

G5 ('The Arrangement', 'California' live The Johnny Cash Show, 'Lakota', ' Rainy Night House', 'You Turn Me On, I'm a Radio')į♯5 ('All I Want' live London 1974, ' The Arrangement', 'Big Yellow Taxi', 'Black Crow', 'California', 'Car on a Hill', 'A Case of You' live London 1974, ' Chinese Café/Unchained Melody', 'The Dry Cleaner from Des Moines', ' The Gallery', 'Hunter (The Good Samaritan)' live In Concert, ' Judgement of the Moon and Stars (Ludwig's Tune)', ' Ladies of the Canyon', ' Laughing', ' Morning Morgantown', 'Play Little David', ' Shadows and Light', ' Trouble Child')į5 ('All I Want', ' Carey', ' A Case of You', ' Don't Interrupt the Sorrow', 'The Dry Cleaner from Des Moines', 'Get Together' live Celebration at Big Sur, ' Jericho', ' Man to Man', 'This Flight Tonight', 'Woodstock')Į5 ('The Arrangement', 'Big Yellow Taxi', 'A Bird That Whistles (Corrina, Corrina)', ' Blonde in the Bleachers', 'Blue on Blue' live Let's Sing Out, ' California', ' Chelsea Morning', 'Don Juan's Reckless Daughter', 'Help Me', ' The Hissing of Summer Lawns', 'Hunter (The Good Samaritan)', ' I Shall Be Released' live The Mama Cass Television Program, ' Just Like This Train', 'Ladies' Man', 'The Last Time I Saw Richard', ' Let the Wind Carry Me', 'Let's Sing Out' live Let's Sing Out, 'Lucky Girl', 'Man to Man', 'Mr. G♯5 ('Another Sleep Song' live Wembley Stadium 1974, 'Big Yellow Taxi' live In Concert, ' Chelsea Morning') He has just finished producing the tracks for Mary Chapin Carpenter's first album, and he says he now plans to spend some time on his own demo project soon.A5 (' Car on a Hill', ' Rainy Night House') The music business can eat you up before you know it. He has recorded demos, but at what might be best described as a pokey and cautious pace. Jennings fans are not shy about saying they are almost to the point of despair that he has not stepped forward as a frontman, never recorded even a local album of his tunes, not pursued a major label deal. And he's terrific in a number of areas too - singing, playing bass, producing.' Besides always being in tune, playing in perfect time, being a fast learner, he also brings a remarkable sensitivity to any musical situation. 'In the studio, though,' Kennedy says, 'John's a very subtle player. The band prided itself on playing - and playing well - several hundred rock 'n' roll classics without any serious rehearsal time, and the two would try to outdo themselves by coming up with obscure tunes - on stage. The effortlessly eclectic guitarist Pete Kennedy has worked with Jennings both in Good Rockin' and in the studio. He also has played electric guitar with the Rosslyn Mountain Boys, Metro and Good Rockin' Tonight, among others. He also has worked as a sideman in already established local rock and folk groups.Ĭlubgoers might have heard his acoustic work with Mary Chapin Carpenter, as well as a number of performers who appear at the Birchmere, including Kate Wolf and Jonathan Edwards. Instead of leading a working club band, he decided to hone his talents in the studio, and became a much-in-demand studio player.

Why not form a new working band? 'The local club scene can no longer support a new band playing original music,' he says. He walked away from it for what he says were personal and musical reasons. The band, which featured mostly Jennings' tunes, lasted barely a year. 'His songs are first rate, and he sounds like no one but himself.'Īnd yet Jennings has not led his own band for more than five years, since he terminated Big Yankee Dollar, a group that made a small but reverberative splash on the old Cellar Door/Columbia Station/Mr. 'Country Roads' coauthor Bill Danoff agrees. Says John Carroll, no mean songwriter himself (he wrote 'Get Closer,' the Linda Ronstadt hit): 'John's songs will move you: As far as the lyrical and musical content, they're so listenable.

Jennings is also highly thought of as a singer and songwriter, whose highly compositional and melodic tunes have a sophisticated scope and breadth few others can match. But I've been keeping busy - in the studio and working on other people's projects.' He'll make one of his rare appearances at a showcase at the Birchmere tonight. 'He's the best around.'īut it seems as if the 32-year-old guitarist has gone out of his way to remain in the shadows, particularly in the last few years. 'There's no doubt in my mind,' says Smith, who dedicated his Wammy to Jennings. Talk to any of the local guitar heroes of his generation - blues 'n' boogie man Jimmy Thackeray, for example, or Sturm und Drang master Stuart Smith, who won a recent Wammy for best area rock guitarist - and you'll find some of Jennings' biggest admirers. In a town seemingly crawling with talented young guitarists, John Jennings, one of the best, is still a comparative unknown and something of an enigma.

The boogie man will get you in the shadows of doubt song